Starved, tortured, forgotten: Genie, the feral child who left a mark on researchers | Society | The Guardian
Only Apple — Pixel Envy
When White Kids Grow Up on the Black Internet - PAPER
Just Because They’ve Turned Against Humanity Doesn’t Mean We Should Defund the Terminator Program - McSweeney’s Internet Tendency
Apple Team Working on VR and AR Headset and AR Glasses - Bloomberg
As Naughty Dog Crunches On The Last Of Us II, Developers Wonder How Much Longer This Approach Can Last
How to foster ‘shoshin’ | Psyche Guides
The Beta Test: Join the New Film by SUNDANCE and SXSW Winning Filmmakers | Wefunder
Creative Lighting Technique - Using Mason Jars To Convey Emotion | cinema5D
'They're damaged': Succession’s Jeremy Strong on sibling hell – and that cringey rap | Television & radio | The Guardian
Suspiria: Season of the Witch - The American Society of Cinematographers
The 10 best X-Files episodes newbies should watch
HBO's 'Succession' Finale Was Masterful: Review - The Atlantic
The Land of the Large Adult Son | The New Yorker
The Talented Mr. Epstein | Vanity Fair
Review: Taiwan's "Dear Ex" Tells An Offbeat And Poignant Family Story | Cinema Escapist
Militarization fails to enhance police safety or reduce crime but may harm police reputation | PNAS
George Floyd protests: Police erupt in violence nationwide during the third night of protests.
Mass Extermination of Iowa Pigs Amid Pandemic Revealed
The History of Police in America and the First Force | Time
Who Exactly Is Doing the Looting, and Who’s Being Looted?
There's always a bigger scandal
The Rise of the Sadcom
How A24 is Disrupting Hollywood | GQ
Waves review: stirring and showy, this is the kind of cinema that keeps you young
Review: The Emotions of 'Waves' Give Shape to Movie as Mixtape
The Technium: 68 Bits of Unsolicited Advice
The Cancer in the Camera Lens | The New Republic
Cecily Strong on Grieving a Loved One While Quarantined
Interface Aesthetics - An Introduction - Rhizome
Nevertheless, the interface pushes back with its prescribed methodologies, workflows, and limitations. Interface and artist are an antagonistic pair. Perhaps the best description of the polemic between the two is one of productive cannibalism. Just as the interface evolves under the pressure of innovation to accommodate new pragmatic uses, the artists’ will continue to deconstruct and push its aesthetic and behavioral properties to their limits.